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Attention: Marlene Neubauer
PO Box 10699
Marina del Rey, CA 90295
Web: www.creativeworldawards.com
Email: info@creativeworldawards.com
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The Creative World Awards (CWA) is an international screenwriting contest that is well known for having the writer's interest at heart when it comes to development and industry promotion.
CWA has built relationships with some of the industry's leading companies such as Lionsgate/Mandate International, GreeneStreet Films, Relativity Media, Crystal Sky, Icon Films & Entertainment, Voltage Pictures, and more - all of which have agreed to give first looks to the top winners. This competition plays a critical role in connecting emerging talented writers with companies and individuals in the industry looking to develop and produce projects.
Due to popular demand, writers now have ten different categories to compete in. The purpose of which is to help broaden the scope of recognition for the writers and allow each respective script to be judged on the basis of select criteria for that particular genre alone. Please see the CWA website for a descriptive breakdown of each of the main genre categories, which include:
Feature Film Categories:
Action/Adventure
Horror/Thriller/Fantasy
Comedy
Drama/Family
Short Film/Television Categories:
Short Film Scripts
Original TV Sitcom Pilot
Original TV Drama Pilot
Existing ½ hour Sitcom
Existing 1 hour Drama
Reality TV Scripts
Known for going beyond the status quo, CWA also provides invaluable interactive educational features on the CWA website including blogs, industry resources, and feature interviews with many high profile executives, writers, producers, and directors. The Creative World Awards is more than a competition. It's an outlet to further refine your craft, develop your projects to be market ready, and finally get your foot in the door.
(Note: TV/Short film categories $10 less than feature length screenplay entry fees).
wsPro $5 DiscountCWA offers more than $15,000 in cash and prizes. In addition to the prominent industry commitments that give first looks at the CWA winning scripts, screenplay contest winners receive the following:
For CWA Television and Short Film Script, each category winner receives $250 cash and each runner up receives an Honorable Mention.
Each of the top genre winners will be promoted to the CWA industry commitment list and receive a special promotional package from the CWA sponsors: InkTip, Michael Hauge, SellAScript, Script Delivery, Variety, the Writer's Store, and more. The Top 10 finalists will also get their loglines and/or scripts widely promoted in the industry.
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Creative World Awards has announced their 2010 Prelim-Finalists for Feature and TV.
Adam Taylor's Urbanity has been named the winner of the Creative World Awards 2009 Screenwriting Competition.
The Creative World Awards has announced their top 10 finalists in each genre category. These scripts will go on to compete for the Grand Prize Winner and the Top winner and Runner up in each genre category, which will be announced on October 15th.
The Creative World Awards (CWA) has announced their 2009 semifinalists.
The Creative World Awards has announced their quarterfinalists for 2009.
An interview with screenwriter Adam Taylor Barker regarding the Creative World Writing Competition.
Q: What's the title of the script you entered in this contest, and what's it about?A: "Urbanity" took home the Grand Prize in the '09 Creative World Awards. It's a gritty drama about a mysterious homeless youth and a lonely NYC counselor who find guidance in one another as they seek redemption from their tragic pasts and safety for a downtrodden group of vagrants.
Q: What made you enter this particular contest? Have you entered any other contests with this script? If so, how did you do?A: To be honest, it was late in the screenwriting contest season and I was looking for any contests whose deadlines hadn't expired yet. I found the Nicholl Fellowships and the Screenwriting Expo Screenplay Contest.
I entered both and made the Quarters in the Nicholl and the Quarters in the Expo.
Amidst those two contests, there were too many others to choose from. If I entered every one, I'd go broke. So I looked over the Creative World Awards website and noticed two things... 1 -- the list of companies that have committed to read the winning scripts. 2 -- the fact that they judge by genre (instead of pitting comedies against thrillers or dramas against horrors, etc). I also read Diana Mitchell's interview here on MovieBytes and was struck by the positive experience that she had with CWA in 2008. So I made up my mind and submitted for the 09 Awards...
A: Heather and Marlene have been terrific to work with. They delivered on everything they promised. It's been exactly one week since my win, and they have gotten every prize to my doorstep or to my email inbox. I've been very impressed with their effort and continue to enjoy working with them on revising Urbanity.
Q: How long did it take you to write the script? Did you write an outline beforehand? How many drafts did you write?A: I wrote the script for a Screenwriting Workshop course at the University of Kentucky. The course was 3 months long, and within those 3 months I had my first completed draft. I submitted that very rough draft to the Nicholl Fellowships Competition and made the Quarterfinal cut somehow. Then I made another pass on the script and came out with my second draft... which made the Quarters in the Screenwriting Expo and won the Creative World Awards. So I would say that it took me about 5 months altogether to come out with the draft that won this competition.
I did begin with an outline. I actually used different colored Post-It notes to nearly cover an entire wall with plot points, character descriptions, dialogue snippets, etc... It was unbelievably helpful at churning out a first draft while taking 4 other classes and waiting tables.
A: If you haven't heard of it, check it out -- www.Zhura.com
It's a community-based screenwriting website that offers online screenwriting software for FREE... and the people there are unbelievably supportive and helpful. It's like having co-writers that you don't have to give credit to!
I've recently upgraded to Final Draft 8 and I'm certainly pleased with the ease that it affords its writer.
A: You *could* say that... but it would be lie.
I TRY to write every day. But usually I write for a few days and then take a few days to gather my thoughts for the scenes to come. Then sit down and write for a few more days... until I've got everything out of my head and onto the page. So I'm either writing the script or thinking about the story every day... which I think still counts. It's a process and I just can't spend the entire time in front of the computer.
But I do RE-write every day. I go over and over and over the script until I feel there is nothing else I can offer that could make it better than it is.
A: Actually, I really don't. If I have a strong outline to begin with, then I can run right through any writer's "block" just by studying the notes that I already have.
Q: What's your background? Have you written any other screenplays or television scripts?A: I'm an English major at the University of Kentucky. A 6th year senior... very much so due to ignoring my studies to write silly stories (which has paid off, apparently)... with a few classes left to go. I've taken numerous creative writing courses and 2 screenwriting workshop courses.
"Urbanity" is only my 2nd screenplay. I've just recently pulled my first screenplay out of a drawer to begin revising it. I'm surprised by how much I was able to salvage from the original first draft... but there's a LOT of work to be done.
A: I don't. And I don't have any plans to move any time soon. But I would certainly consider moving if the right offer came along... Hopefully enough money to pay the bills as I struggle to complete something else that will earn its weight in cash.
Q: What's next? Are you working on a new script?A: As stated above, I'm currently re-writing my first screenplay. It's a gritty crime-thriller very much in the vein of No Country for Old Men. It follows an anarchist steelworker and his tagalong brother as they make away with the spoils of a violent heist and exact revenge on a seasoned cop.